Avoid obvious processing and leave the dynamics mostly intact. Jazz: Approach with subtlety and taste.Vocals can sit a bit further back in the mix. Rock: Less top-end, more body, and high mids.(Though the most mainstream of Hip Hop often has top-end shimmer more akin to Pop). More presence and aggression in the upper mids. Hip Hop: Similar to Pop, but with fewer effects and less top-end.Lots of top-end shimmer, noticeable effects, and highly consistent dynamics are the norm. In general, heavy processing is acceptable and often required. Pop, R’n’B, Electronic: These styles share similar traits.Here are some basic vocal mixing guidelines to get you started: It’s important that you consider the style and vibe of the track before you apply compression. For some genres, though, you may only need to do one or the other. In most cases, the genre will require you do both of these things. To shape and enhance the tone of the vocal.You may be wondering, then, “why is compression so important on a lead vocal?” There are two different types of volume automation, which you will learn about soon. It takes time, but it’s a requirement if you want your vocals to sound professional. I wanted you to read that twice so you really take it in. You do this with automation, NOT compression. It might seem like this would sound unnatural, but it doesn’t. Modern standards of professional production require crazy levels of perfection and consistency in the vocal. Every word should be clearly audible, and every word should be a similar volume. They need to sit on top of the mix at all times. One of your aims when mixing vocals is to make them as dynamically consistent as possible. Let’s look at the anatomy of a compressor: It’s also important to have an understanding of how a compressor works. As with any mixing process, you should have a purpose behind every plugin and decision. It’s important to have an understanding of what you are trying to achieve with compression. Until now, everyone has been teaching production totally backward.īut if you just want to learn about compressing vocals specifically, keep reading. We put together a brief training that covers a totally new approach to music production. I’m guessing you’re here because you want to make your mixes sound professional. Get industry-quality every time (steal this framework) We’re going to cover tonal compression, dynamic compression, limiting, multiband compression, side chain compression, parallel compression and more. When used incorrectly, compression can quickly ruin a good vocal recording and make your music sound amateur and over-processed.īy the end of this guide you will be able apply vocal compression with confidence to craft vocals that sound modern and are easy to mix. When used correctly, compression is a key ingredient for vocals that sound professional, modern and radio-ready. Compression… your best friend and your worst enemy.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |